Thursday, March 10, 2011

Atomic Blast Preparedness

These first few images are a series of photos taken in Los Angeles in the early 1950s showing how to "survive" an atomic blast. The last few images are just miscellaneous goodies from Los Angeles about an atmoic attack.

All photos from the UCLA Library collection Changing Times: Los Angeles in Photographs, 1920-1990.

Atomic Blast Preparedness: Couple Walking Down Street

UNEXPECTED-- An atomic bomb (presuming United States and Russia reached state of open war) could explode above and behind you without warning. Lora Elliot and Lyle Bettger, Paramount studio actors, demonstrate

Atomic Blast Preparedness: Nuclear Flash

FLASH--First indication of an atomic air burst is a sudden and tremendous increase in the general illumination. First natural reaction to overcome is a tendency to look at the light source. Here the couple resist impulse to look at deadly ray

Atomic Blast Preparedness: Taking Cover

TIME TO RUN--After 10 seconds the couple rise and look quickly for better cover against flying wreckage. These pedestrians dash around corner into a doorway

Atomic Blast Preparedness: Actors Reacting to Nuclear Blast

PROTECTION--They drop instantly to the ground, covering as much of body as possible against searing rays. Coat thrown over face will help. Air blast which causes wreckage arrives some seconds after instantaneous light flash

Atomic Blast Preparedness: Taking Cover Under Desk

JUST AFTER--Whirling away from window, she drops to floor and huddles under her desk, thus obtaining protection from light rays and flying glass. She remains beneath the protection of desk for a least a minute

Duck and Cover

Atom bomb drill at school in Los Angeles, Calif., circa 1951

The Dos and Don'ts of An Atomic Blast

Charles Caudle using puppets and props for lecture on the do's and don'ts during an atomic bomb attack in Los Angeles, Calif., circa 1951

Every Bombed City Will Need Help

Three women standing before Alert America (civil defense) posters in Los Angeles, Calif., 1952

No comments: